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Entre 1469 et 1530, Venise fut le siège d'une révolution silencieuse qui allait bouleverser l'histoire du monde : en inventant le livre moderne et le concept même de l'édition, la Sérénissime devint la capitale internationale de l'imprimerie, la première productrice de livres en Europe. Les grands imprimeurs vénitiens, Alde Manuce, Nicolas Jenson, furent célébrés dans la République des lettres comme les artisans de cet "art divin".Pour la première fois, voici, surgi des archives et du croisement de multiples sources originales, tout un monde, aussi fascinant que méconnu : celui des imprimeurs, des éditeurs, des employés, des membres des ateliers, des libraires, des colporteurs qui tous participèrent à la grande aventure du livre imprimé. On découvrira une industrie très concurrentielle, hors du système corporatif. Mais cette concurrence se révéla particulièrement rude : les faillites furent nombreuses, la fragilité menaça en permanence les derniers arrivés.Ces imprimeurs qui ont fait le succès de Venise sont pour la plupart d'origine étrangère, Allemands tout d'abord, puis Grecs, Arméniens, Juifs... En dessinant de nombreux portraits de groupe qui restituent les étapes d'une intégration collective, en reconstituant de multiples trajectoires individuelles, Catherine Kikuchi nous offre une histoire économique et sociale des hommes et des femmes liés à l'amour du livre, à sa production, à sa diffusion, en même temps qu'elle retrace les grandes heures de l'âge d'or de l'imprimerie vénitienne.
Book history
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book history
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anno 1400-1499
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anno 1500-1599
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Venice
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093.1 <45 VENEZIA>
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094.1 <45 VENEZIA>
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094.1 <45 VENEZIA> Oude drukken: bibliografie--
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094.1 <45 BRESCIA>
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094.3: 873.4
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094.3: 850
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094 "14"
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094 "14" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--15e eeuw. Periode 1400-1499
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--15e eeuw. Periode 1400-1499
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094.1 <45 BRESCIA> Oude drukken: bibliografie--
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"Rispetto ad altri centri, la produzione a stampa in greco a Roma inizia piuttosto tardi, nel secondo decennio del XVI secolo, e ai suoi esordi non è una produzione numericamente ampia. La prima opera conosciuta è l’Operetta bellissima da imparare la lingua greca composta da Paolo Enea, stampata nel 1510 da Stefano Guillery ed Ercole Nani. Fino al 1526 si contano, oltre all’Operetta bellissima, altre diciotto pubblicazioni in greco. Di queste, eccezion fatta per una ristampa degli Erotemata di Manuele Crisolora del 1522, oggi ritenuta di incerta attribuzione, e di un’edizione della Consolatio ad Apollonium di Plutarco, senza data e senza colophon, ma molto probabilmente proveniente dalla stessa stamperia, si tratta delle sedici edizioni seguenti: sette edizioni a cura del cretese Zaccaria Calliergi (Pindaro, scoli a Teocrito, Horae in laudem beatae Virginis, Tommaso Magistro, Frinico, Octoechos e il Dizionario di Guarino Favorino); cinque edizioni certe del Ginnasio Greco di Leone X (tre, le edizioni degli scoli a Omero, di Porfirio e degli scoli a Sofocle, a cura di Giano Lascari, e due, il Geras spanion [‘Dono raro’] e gli Apoftegmi, a cura di Arsenio [Aristobulo] Apostoli), alle quali si deve aggiungere un’edizione priva di data e note tipografiche di tre orazioni di Isocrate; due a cura di Angelo Barbato (progymnasmata di Elio Teone e progymnasmata di Libanio); infine – l’ultima della serie – un’edizione dell’ottobre 1526 di diverse opere di carattere liturgico, a cura del cretese Demetrio Duca. È ormai comunemente rifiutata l’attribuzione alla stamperia del Ginnasio greco, che pubblica dal 1517 al 1519, di un’edizione senza data contenente la Tabula Cebetis più altri tre opuscoli di altri autori, che va invece ascritta alla stamperia fiorentina di Lorenzo Alopa e datata al 1495 ca. Il presente volume è dedicato allo studio delle diciannove edizioni stampate a Roma dal 1510 al 1526, in larga parte editiones principes, e del l’edizione fiorentina della Tabula Cebetis. Di queste edizioni vengono pubblicate tutte le pièces liminari in esse presenti, accompagnate da una traduzione italiana, e vengono forniti volta per volta una dettagliata presentazione dell’edizione e un esame filologico inteso ad appurare le fonti manoscritte utilizzate."--
094.1 <45 ROMA>
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094 =75
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094 "15"
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094 "15" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599
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094 =75 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Grieks
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Grieks
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094.1 <45 ROMA> Oude drukken: bibliografie--
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On 6 February 2015, the Warburg Institute marked the 500th anniversary of Aldus Manutius’s death with a one-day colloquium on his extraordinary legacy. Rather than examining his own output, which has already received a vast amount of scholarly attention, the focus was on far less studied topics related to his later fame and reputation. This book presents revised versions of six papers from the colloquium, together with three additional contributions. The nine papers, which explore how the notion of ‘Aldine books’ has changed over 500 years in Europe and America, are arranged in three sections: the Aldine press after Aldus; private Aldine collections in early modern Europe; and Aldine book trade and collecting from the nineteenth century to the present. Also included in the volume is a catalogue of the exhibition ‘Collecting the Renaissance: The Aldine Press (1494–1598)’, organized in conjunction with the colloquium and displayed in the Treasures Galley of the British Library. Addressing a wide readership of scholars, booksellers and collectors, The Afterlife of Aldus aims to stimulate further research in areas which have not been sufficiently investigated, despite their importance for a comprehensive understanding of the long-lasting fortuna of Aldus and his publications.
Bookbinding, Renaissance.
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094.0 MANUTIUS, ALDUS
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094.1 <45 VENEZIA>
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094 <063>
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094 <064>
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094 <064> Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Tentoonstellingscatalogi. Museumcatalogi
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Tentoonstellingscatalogi. Museumcatalogi
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094 <063> Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Congressen
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Congressen
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094.1 <45 VENEZIA> Oude drukken: bibliografie--
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"This work is a study on the very first spread of printing in Florence, the privileged production site of manuscript books. The study is based on the perusal and analysis of ancient inventories, catalogues and book lists that describe the ownership of numerous libraries throughout the city between 1470 and 1520. The main reason for this investigation is that Florence can be considered, for all intents and purposes, a book history capital owing to the variety and number of printed volumes produced in the first two decades of the sixteenth century. After an introduction to the objectives and criteria chosen, the research then goes on to cover various fields of investigation, including a purely quantitative and statistical analysis accompanied by a qualitative study of the form and vocabulary used by those who compiled the sources for the description of printed books, as well as a reflection on the information derived from the documents compared to other exemplary establishments in Italy. This is followed by the Repertory which describes the mentioned sources in more detail and offers an analysis criterion that scrutinises the book document in each of its specific sections. The second part consists of the Catalogue of authors and editions of the printed copies described by the sources. Unpublished book sources are shown in the Appendix. The work concludes with a rich bibliography and indexes."--
Books and reading
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Libraries
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Library catalogs
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Books
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Incunabula
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Renaissance
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History
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Sources
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094.1 <45 FIRENZE>
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76:655.5 <01>
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76:655.5 <01> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Bibliografieën. Catalogi
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Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Bibliografieën. Catalogi
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094.1 <45 FIRENZE> Oude drukken: bibliografie--
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